Canadian artist out to canonize herself as leftist cause celibre
It seems that, in Canada, if one really, really wants their 15 minutes of fame, one has to go out and get it themselves.
Since June alone, Brigette DePape, Kai Nagata and Margie Gillis have done everything they can to seize the imaginations of the Canadian left. In each case, each one was forgotten within weeks of their self-glorification.
DePape chose to spat on her job by holding up a "Stop Harper" sign during the 2011 speech from the throne. Her career as a leftist icon peaked with a job offer from Michael Moore that no self-respecting left-winger would actually take.
Interpretive dancer Margie Gillis appeared on the Sun News Newtork, then rallied her followers into petitioning the CRTC to order Sun News removed from basic cable packages. The Canadian Broadcast Standards Council had enough of the whining of far-left gladflies, and said "no mas" very quickly. Gillis complained that interviewer Krista Erickson talked over her, when it was in fact Gillis speaking over Erickson.
Kai Nagata left his job as CTV correspondant for the Quebec National Assembly amidst complaints about how the national media selects political stories.
All were declared to be "inspirational" figures by the far-left -- somehow all of the far-left's figures are "inspirational" even when they're actually banal and mediocre.
That seems to be the case with artist Franke James, who has been her own best publicist, alleging that the Canadian government pressured sponsors of her planned European tour into withdrawing. She also complains that embassies that were planning to host her exhibit also pulled out, and that government funds for the tour were withdrawn.
Sources with the Swiss insurance company that was sponsoring the tour and the government have each since stated that the funds had never been promised in the first place.
This makes James not only the most recent far-leftist to attempt to canonize herself as a left-wing political icon, but the most recent to describe the government's decision not to supply funds that hadn't actually been promised as a "funding cut".
There may be one other reason why James' would-be sponsor chose not to support her tour. That reason is that her work is simply not very good.
That also sets James up for the next evolution of her ideological canonization: for a while, the far-left will ride the Franke James bandwagon. Then, shortly after, Franke James, every bit as forgettable as Brigette DePape, Margie Gillis and Kai Nagata, will be forgotten in favour of the next mediocre, self-serving "inspirational" figure.
The far-left will find someone new whose mediocrity they will love just as much as Franke James'. The far-left will again hold up that person's mediocrity as if it's excellence, and again Canadians shall yawn.
Think of it as part of the circle of life.
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